Saturday, July 27, 2013

Meet Cynthia Payne: Another former SeaWorld Staffer Comes Forward after Blackfish

Preface:  Cynthia Payne is a former SeaWorld animal care handler and current president of a company in North Carolina called Go Green, Inc, which she founded in 2007. She's lived in Holland & Germany and is an accomplished equestrian rider. After watching Blackfish, she reached out to us, at Voice of the Orcas, with this moving testimony, which we will publish in two parts. 

She was employed by SeaWorld, in Orlando, from 1992 to 1994, and told us, "I truly, truly cared for the animals and admired several of the people I worked with and for, but I also recognized it was wrong." Cynthia adds her voice to ours, and to a growing number of former industry workers, and citizens, who are speaking out against companies who display intelligent, self-aware creatures for human amusement. We welcome her strong voice to ours. Thank you, Cynthia!

 -----------------------------------------------------------------------------------------------

Cynthia bottle feeds a small manatee as others surround her

"Over the course of three years and as an employee of the animal care department, SeaWorld of Florida, Orlando,  I witnessed the deaths and misery of several animals including that of [orca] Nootka’s stillborn calf."

[Below is Cynthia's story - unedited] 

During this time, I participated in “whale watch” [aka "night-watch"]; extra personnel to watch for the upcoming birth of Nootka’s calf. She seemed separated from all of the whales, her only apparent communication was through the gates. Touch, feel, social interaction is a critical component to a whale's life.  I remember so many nights of sitting up with her, listening to her cry at the gates.  I was young, 18-19 years of age. What did I know, I thought? But the doubts were amassing as to my remaining [employment] at SeaWorld.   

Cynthia on Night-watch at Shamu Stadium
On the night of her calf's birth, I was present, next to her pool on whale watch.  Nootka gave birth to a stillborn calf. 

The next few hours were a horror movie.

Staff members, everywhere, were giving orders and decided they must immediately remove the stillborn calf, thus refusing Nootka any time to grieve. 

Nootka fought and fought AND FOUGHT. She carried the stillborn calf repeatedly, trying to keep it at bay from the staff. 

Mercilessly, the staff seemed intent on the calf’s immediate removal. I turned to the vet on-site, almost in tears and I asked “Can't she have a moment to grieve?”  There was no debate, there was 'no time,' he stated. They needed to take the calf immediately.


The "Animal Care" Department at SeaWorld of Florida in 1994


This night replays over and over in my head, I can still hear her screams. 

The SeaWorld staff dropped a net the depth and width of the pool.  Nootka would try to pick up the net  and then at other times push her baby over it, all in an effort to escape this onslaught of people, everywhere, screaming orders and trying to take her calf away. Certainly, any mother would need, desire, require some time to grieve?

They gave her nothing. They took the stillborn. Nootka was forced into a holding pool, hardly enough space to turn around.

I sat with her that night on whale watch. I had witnessed everything. She cried through the night.  She cried and cried. I still hear her screams and I still wish I could have helped her. 

I sat in total disbelief at the events of that night. I was horrified... feeling as a participant, of any kind. She died shortly after this night. I was hopeful she was in a better place. This night replays as a vivid movie over and over again in my head with her screams and cries sounding just as sorrowful as they did that night .  I remember feeling sickened at my participation and then relief knowing… I was leaving SeaWorld.

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We will publish part two, the conclusion of Cynthia's Testimony, in about one week. In that piece, she'll talk about orca Gudrun and her calf Nyar, two bottle nose dolphins, Beachie & Cecil (see photo below), as well as the tragic death of Gwen, the walrus.  

Cynthia with Cecil & Beachie, just prior to her quitting SeaWorld in December 1994




Saturday, June 8, 2013

US Screenings for #Blackfish Movie









7/19/2013

7/26/2013

8/2/2013


From Friday 02 August

Atlanta, GA: Midtown Art Cinemas 8
Austin, TX: Arbor Cinemas at Great Hills 8
Austin, TX: Violet Crown Cinemas
Aventura, FL: Aventura Mall 24 Theatres
Baltimore, MD: Charles Theatre
Bellevue, WA: Lincoln Square Stadium 16
Boca Raton, FL: Living Room Cinema 4
Frontenac, MO: Plaza Frontenac Cinema
Hartford, CT: Real Art Ways Cinema
Houston, TX: Sundance Cinemas Houston
Lake Buena Vista, FL: Downtown Disney 24
Maitland, FL: Enzian Theatre
Manhasset, NY: Manhasset Cinemas 3
Miami, FL: O Cinema
Milwaukee, WI: Oriental Theatre
Minneapolis, MN: Lagoon Cinema
Montclair, NJ: Clairidge Cinemas 6
North Hollywood, CA: Laemmle NoHo 7
Rancho Mirage, CA: Century @ the River 15
Royal Oak, MI: Main Art Theatre
Seattle, WA: Seven Gables Theatre
White Plains, NY: Cinema 100 Quad

From Sunday 04 August

Gloucester, MA: Cape Ann Community Cinema


8/9/2013


From Friday 09 August

Albuquerque, NM: Century 14 Downtown
Boulder, CO: Century 16
Columbus, OH: Gateway Film Center 8
Denver, CO: Chez Artiste
Lake Worth, FL: Lake Worth Playhouse
Las Vegas, NV: Century Suncoast 16
Madison, WI: Sundance Cinemas Madison
Omaha, NE: Film Streams at the Ruth Sokolof Theater
Portland, ME: Space Gallery
Portland, OR: Cinema 21 Theatre
San Antonio, TX: Santikos Bijou Cinema Bistro 6
Santa Fe, NM: The Screen
Santa Rosa, CA: Summerfield Cinemas 5
Sarasota, FL: Burns Court
Scottsdale, AZ: Camelview 5 Theatre

From Sunday 11 August

Albuquerque, NM: Guild


From Friday 16 August

Baton Rouge, LA: Baton Rouge 16
Bellingham, WA: Pickford Film Center 3
Cleveland Heights, OH: Cedar Lee Theatres
Harahan, LA: Palace 20 - Elmwood
Ithaca, NY: Cinemapolis 5
Kansas City, MO: Tivoli @ Manor Square
Providence, RI: Cable Car Cinema
Rochester, NY: Little Theatre
Salt Lake City, UT: Broadway Centre Cinemas
Santa Barbara, CA: Plaza De Oro
From Monday 19th August
Durham, NC: Carolina Theatre - Durham


8/23/2013

Amherst, MA: Amherst Cinema Arts Center 3
Charlotte, NC: Manor Theatre 2
Dallas, TX: Angelika Film Center and Cafe
Honolulu, HI: Kahala Theatres 8
Spokane, WA: Magic Lantern Theatre
Tulsa, OK: Circle Cinema


8/28/2013

From Wednesday 28 August

Gainesville, FL: Hippodrome - Gainesville
Anchorage, AK: Bear Tooth Theatre


8/30/2013

From Friday 30 August

Boise, ID: The Flicks 4
Dayton, OH: New Neon Movies
Knoxville, TN: Downtown West Cinema 8
Pelham, NY: Pelham Picture House

From Saturday 7 September

Bradenton, FL: Lakewood Ranch 6


From Wednesday 11 September
Chicago, IL: Beverly Arts Center of Chicago


From 9/12/2013
Lake Placid, NY: Lake Placid Center for the Arts

From 9/13/2013
Hilo, HI: Palace Theatre

From 9/27/2013
Auburn, NY: Auburn Public Theater


10/11/2013
Helena, MT: Myrna Loy Center
Paducah, KY: Maiden Alley
Three Oaks, MI: Vickers Theatre

10/12/2013
Chicago, IL: Gene Siskel Film Center
Norwich, CT: Norwich Community Cinema

10/13/2013
Lincoln City, OR: Bijou Theater

10/16/2013

Sheridan, WY: Centennial 6

10/18/2013
Boulder, CO: International Film Series
Durango, CO: Back Space Theatre
Fort Wayne, IN: Fort Wayne Cinema Center
Mount Vernon, WA: Lincoln Theatre
Reading, PA: GoggleWorks Film Theatre

10/19/2013
Bellingham, WA: Pickford Film Center 3

10/20/2013
Winchester, VA: Alamo Drafthouse Cinema 8-Winchester

10/23/2013
Bloomington, IN: Ryder Cinema

11/6/2013
Gloucester, MA: Cape Ann Community Cinema

11/21/2013
Saratoga Springs, NY: Saratoga Film Forum

12/7/2013
Davidson, NC: Indies + Docs Cinema



Blackfish Cast & Crew Including the Executive Directors of the Film at Sundance in Park City, Utah, USA

Friday, May 31, 2013

Battle of the #Blackfish Posters

Just today, Blackfish director Gabriela Cowperthwaite sent us the new poster for her movie, and we love it. However, it did stir an internal debate. Of the 5 former SW trainers / cast members that commented, 2 liked the old version, 2 liked the new version, and one liked them both about the same. So now we need your help. 

Here's how it shook out: John Hargrove & John Jett voted for the original poster, as best version. Carol Ray & Jeffrey Ventre voted for the new poster. Samantha Berg liked them both about the same. 


JJ: I like the old one.  Just my two-cents. 
Carol: OMG, I LOVE this! Now I really want a t-shirt. [I] loved the other one too, don't get me wrong, but this is fantastic. And, I love the, 'Don't capture what you can't control'....awesome!  
JV: Pardon my French, but Holy F-ing Shit. Amazing. Thx Gab! 
JH: I like the old one too! But this one isn't bad. 
Samantha:  Oh wow!  I love it!  I get chills just looking at the poster. Powerful.  I do miss the old picture, but the tag line is PERFECT. 

Thus, with the voting 50:50, we need your help settling the score. Please let us know what you think. You can leave a comment down below or let us know via Twitter @Voice_OT_Orcas



NEW VERSION




Original Version


Thursday, May 2, 2013

May Multimedia From Marineland to Blackfish & Non-Human Personhood

One of the reasons we formed Voice of the Orcas website, and Voice of the Orcas blog, was (is) to serve as a depot for information related to marine mammal conservation and captivity. As the wave of public awareness  grows, more and more material continues to flood the news media as well as social media.

GREAT AUDIO INTERVIEW OF GABRIELA COWPERTHWAITE FROM SUNDANCE LONDON

This post is put together to capture a handful of the interviews and videos that touched us this past month, just in time for Cinco de Mayo. 



Enjoy these bits of audio & video. Many thanks to the artists who crafted them, and feel free to suggest others in the comment section. We'd love to add more. 

Who Are Anti-Captivity Activists? by DolphinSerenity




Former SeaWorld Trainer John Hargrove (19-years working with captive killer whales) does a solo Q&A Session after Blackfish Movie at HotDocs in Toronto


We LOVE this Great Marineland Smackdown by Mike Garrett 




Sundance London: VIDEO interviews of Gabriela Cowperthwaite and Manny Oteyza, Director & Producer of Blackfish




Sam Simon's Radio Show from Friday 26 April 2013




Toronto HotDocs Q&A with Gabriela Cowperthwaite of Blackfish, by TheFestivalCircuit 





Steve Wise: What's Behind Opposition to Animal Rights by Non Human Rights Project





Impressive Interview with John Jett PhD 





The Killing Circus - Behind the Glass by AnaGirlEmpath




Red Carpet Interview of Four Former SeaWorld Trainers from Sarasota

Sunday, March 24, 2013

Another Former SeaWorld Killer Whale Trainer Steps Out of the Shadows

Bridgette Pirtle, the interview before she flipped back to becoming a SeaWorld spokesperson. That story is covered, here


==========================


On September 28, 2012, at Voice of the Orcas, we received a moving and thoughtful letter from a recently retired  killer whale trainer from SeaWorld of Texas.  In the past three years we've been contacted by several former and current trainers; most supportive of our advocacy work, and some opposed; but when it came to speaking on the record, folks generally weren't willing to step up to the plate. 

Bridgette Pirtle started working in the animal training department at SeaWorld of Texas in 2001, and was a senior trainer from  2008 until the spring of 2011, at Shamu Stadium.

She told us, "I have struggled with finding the right words and the right way to step forward. In the end, just saying 'I'm ready to talk' and standing up as a voice for those who have been ignored for so long, is enough."

She added, "Those ten years I worked as an animal trainer were more valuable than I could have ever imagined and in a way in which I never expected."

We were stoked to speak with Bridgette, and you might be too. Our connection was strengthened when we former trainers merged recently in Park City, Utah, for the Sundance Film Festival. 


Finally...


... another former insider with the courage to speak out and with the common experience of having worked directly with orcas at SeaWorld. Additionally, she had many years of experience and could shed light on events that occurred behind the scenes and after the tragedy on February 24, 2010. 


Bridgette Performs a Hydro Hop 
While at SeaWorld in Texas, Bridgette worked directly with the killer whales Keto, Taku, Kayla, Haida, Ky, Winnie and Tekoa. She did waterwork with Keet, Unna, Tuar, Takara, Halyn, and Sakari. A clip of her waterwork, such as in the photo, appears in the film Blackfish

Below are a few questions that we hope will introduce Bridgette. We are honored and pleased to have her voice added to ours. It takes courage to stand up. We applaud her courage and hope you will too.  

Follow her on Twitter at:  

VOTO: How long did you work for SeaWorld?  

BP: I worked at SeaWorld [Texas] for a grand total of 14 years.  Taking out my romp [in another department] from 1998-2000, I was in animal training from March 2001 through mid-March 2011.  I started at Shamu as an apprentice, transferred as a part-time associate to Interaction Programs in Sept 2002 before ending up back at Shamu as full time trainer in Jan 2005 until I resigned in 2011. 

VOTO: Who was your favorite orca, and just a sentence or two why? 


Fave orca... You are seriously gonna make me choose?!?!  

For the love!  

Tuar and I were a match made in heaven.  I was high energy, a bit goofy and willing to sacrifice anything and everything for the whales and he responded well to my creative approach to training using lots of secondaries in the form of visuals and playtimes.  He was my first killer whale relationship focused on building up to waterwork.  My interactions with him were consistent.  

Whether our session was dry, waterwork, show, learning, or even husbandry; I trusted him and he was a whale I could rely on to give me as much information as he could, behaviorally...  Tuar was the most fun to work with.

Halyn was the first killer whale I saw being born.  For the first few months of her life, I was there doing night-watches and around the clock bottle-feeds.  During the first week of her life, we had lowered a back pool to about 4 ft of water and lined the walls with tubes from the water park to act as bumpers.  

I was snorkeling near one corner watching her swim when she just stopped and watched me too.  I don't think I could hold my breathe that long ever again, but just having those couple of minutes of  having this tiny whale make eye contact with you and stay there with you was unreal.  I was the first trainer to give her the bottle and some of my first behaviors I trained with killer whales were teaching Halyn. 

In the last few weeks of her life, I tried to be there with her as much as possible.  I was one of the trainers in the water holding her before she passed away.  

Halyn was an animal that really started to open up my eyes to the reality behind what my job was really asking me to do.  


Bridgette Pirtle at the No Name Saloon in Park City, Utah, January 2013
If Kayla had been around experienced mother whales, would she have rejected Halyn? 

Trainers talked about what a cool experience it was to get the chance to hand raise a baby whale.  I loved that little girl, but that was the beginning of me realizing that my thoughts were evolving.  

I had an obligation to do everything I could for her, but I was also the reason she was in this struggle for her life to begin with.




VOTO: What was it like to see Blackfish and hang with the other trainers at the Sundance Film Festival? 


BP:  After coming forward... I wouldn't have imagined getting the opportunity to join alongside [everyone] in Park City.  I am grateful to be given the chance to be a part of something this amazing.  I am optimistic that seeing how the same influential voices that inspired me to stand up for what is right are now working to inspire others to speak out.  Because of this film and the work of Voice of the Orcas, Tim Zimmermann, [and others] an entire audience is seeking to understand the truth and reality of what captivity really represents. 


VOTO: What effect do you think the film could have in regard to cetaceans in captivity? 

Bridgette is a former Senior SeaWorld Trainer that opposes Captivity
BP: Blackfish has thrust the topic of the morality and necessity of [keeping] cetaceans in captivity into the spotlight. I loved Gabriela's response in a Q&A about how she brought her children to the parks but the whole time couldn't really quite understand why she didn't feel right about it. The film reminds the audience that this unsettling feeling is still one that needs to be addressed. SeaWorld PR has always been very strategic in filling the mainstream with stories of new roller coasters, new park acquisitions and gaining "Franklin the Turtle" as a new marketing tool for children. 

It's easy to forget about the internal conflict many have in regards to seeing the animals in these small confinements, with "leaning" dorsal fins, exposed pulp cavities and rake marks and scarring over their entire bodies. Blackfish encourages the audience, without coercion, to confront those internal conflicts... and decide for himself or herself whether it is socially or morally acceptable to continue to house these social beings in  sterile, tiny environments, in the name of entertainment.


VOTO:  We saw that you read the WDC article "Blowing the Whistle." Was that the primary reason you have stepped forward; or just an example of how your thinking has evolved?

Bridgette with former SeaWorld Trainer John Hargrove & Blackfish Director Gabriela Cowperthwaite 













"Blowing theWhistle" was one of the first articles that helped me realize the potential I had in really making a difference for the animals I care for. Tim Zimmermann's writing [also] had a profound impact on shaping my thoughts towards the industry and helped me to really put into perspective the reality of... SeaWorld. 


Bridgette kisses a killer whale 
The attention and care I found within his articles was more respectful towards the memories of Dawn and Alex than anything my own company was doing. The business aspect of the animal training field had begun to disillusion me just a couple of years into my career. By the time I was familiar with these articles, I was already trying to fight a hopeless battle against the powers-that-be. 

"Blowing the Whistle" showed me that I wasn't alone in my feelings. It also helped me to realize that by continuing my association with the park, I was only enabling exploitation of the animals. 

The decision to leave is a process that at one point included attempting to return to take care of the animals, but, ultimately, the strongest voice for them would have to be [from] outside the gates. 



6 Ex SeaWorld orca trainers are supporting each other & opposing captivity
Y'alls story reminded me that, as much as we care for those animals we worked with, the best thing we can do for them is share the truth of what our job really entailed. 

"Blowing the Whistle" reminded me that there was more potential of me receiving the support and regard I needed to change things for the betterment of the animals outside of the career. It also helped me to realize it was the animals I cared so much for as opposed to the job I once thought I loved.


The message I'm hoping to help spread is that these are incredible animals; hearing the stories each of you had to share reminded me that the dream job was a fairy tale. My dream was to [actually] do something for these animals. I am grateful to have the support of some amazing individuals that worked hard to carve out the path I have chosen to walk ahead of me.

Sunday, February 24, 2013

Remembering the Fallen

Today, we remember fallen colleagues & ask for a shift in the way we think about whales & dolphins  

No matter which side of the captivity debate you're on, one thing that can be said regarding anyone that has trained marine mammals is that they did it for the opportunity to be close to animals that they loved; despite the low wages and the sometimes alarming consequences for the animals in their care. Most current and former trainers have multiple pets at home, and in general, appreciate nature. 


>> click on images to enlarge <<




As former workers in the captivity industry, we've changed our ways and come to appreciate the marine mammals that we worked with even more, not less. This was amplified, for us, after visiting cetaceans in the Pacific Northwest, swimming in straight lines, jumping out of the water, and with erect dorsal fins. These incredible marine mammals have demonstrated, to us, self-awareness, tool use, language, culture, and family bonds that are stronger than even humans.  We feel they've earned "non-human personhood status." 





Thus, despite our longing to be with them, we now know that it's not in their best interest to be in captivity; housed in concrete pools, surrounded by human noises including amplified music, air-powered pneumatic gates, and sometimes heavy equipment such as jack-hammering and drilling. We know that killer whales die young in captivity, experience social strife, dehydration, and deconditioning. Beluga whales & false killer whales don't do any better. 

We see the perpetuation of cetacean captivity as inhumane, unnecessary, and morally wrong; and costly to BOTH whales and humans. Let's do the right thing, save lives, and show our humanity. 


We'll miss the loving souls depicted in these images. They were dedicated, charismatic, and amazing individuals. Let's not lose any more to the archaic practice of marine mammal confinement. 






Friday, January 11, 2013

Blackfish Movie Premieres at Sundance Film Festival

The Sundance Film Institute was founded by Robert Redford in 1981, and his festival has been connecting independent film makers with audiences since 1985.

WATCH CLIP OF #Blackfish HERE >> PRESS ME <<



This year 43 feature documentaries will be screened in Park City, Utah, theaters, and Blackfish will be one of them. The movie was selected from a field of over 2000 entries. 




Many of these films will go around the world and some will earn theatrical releases. As described by Ondi Timmoner at TheLipTV this, "Is the key curation moment for many filmmakers."





The topic of the film will partly examine the tragic life of the captive orca named "Tilikum," which means "friend," and "shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity." 

None of us at VOTO have seen the film, or know much about it. But we do know that footage was collected on land and sea from sites all over the world and over the past two years. Good luck to Gabriela and her film #Blackfish. Meet "Gabby" below...